{"id":1847,"date":"2018-02-02T14:38:12","date_gmt":"2018-02-02T03:38:12","guid":{"rendered":"https:\/\/melbourneopera.com\/?post_type=project&p=1847"},"modified":"2026-05-21T18:47:04","modified_gmt":"2026-05-21T08:47:04","slug":"tristan-and-isolde","status":"publish","type":"project","link":"https:\/\/melbourneopera.com\/?project=tristan-and-isolde","title":{"rendered":"Tristan and Isolde (2018)"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” background_image=”https:\/\/melbourneopera.com\/wp-content\/uploads\/2020\/10\/melbourne-operas-tristan-isolde-e28093-neal-cooper-lee-abrahmsen.jpeg” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_fullwidth_slider show_arrows=”off” show_pagination=”off” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.16″ _module_preset=”default” header_text_color=”#c8b89c” body_text_color=”#c8b89c” background_enable_image=”off” min_height=”757px” custom_margin=”||2px||false|false” custom_padding=”2px||3px||false|false” global_colors_info=”{}”][et_pb_slide heading=”Tristan and Isolde” button_text=”Photo Gallery” button_link=”#gallery” use_bg_overlay=”off” use_text_overlay=”on” text_overlay_color=”rgba(0,0,0,0.6)” arrows_custom_color=”#c8b89c” dot_nav_custom_color=”#c8b89c” _builder_version=”4.16″ _module_preset=”default” header_level=”h1″ header_font=”|800||||on|||” header_text_align=”center” header_text_color=”#c8b89c” header_letter_spacing=”4px” header_line_height=”1.2em” body_font=”|600|||||||” body_text_align=”center” body_text_color=”#ffffff” body_font_size=”20px” body_line_height=”1.8em” background_image=”https:\/\/melbourneopera.com\/wp-content\/uploads\/2020\/10\/tristan.jpeg” background_enable_image=”on” parallax=”on” parallax_method=”off” custom_button=”on” button_text_color=”#ffffff” button_bg_color=”rgba(0,0,0,0.6)” button_border_color=”#c8b89c” button_icon=”9||divi||400″ button_icon_color=”#ffffff” button_on_hover=”on” button_alignment=”center” text_orientation=”center” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Renowned Wagnerian Maestro Anthony Negus makes his Australian debut conducting Melbourne Opera’s production of this classic opera.<\/p>\n

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Production Details<\/h1>\n

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Dates<\/span>:
2, 5, 7, 10th February, 2018.
Venues<\/span>:
Palais Theatre, St Kilda, Melbourne.
Robert Blackwood Hall, Monash University
Running Time<\/span>:
4hr 30m, with two twenty minute intervals.<\/p>\n

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Composer: Richard Wagner
Conductor: Anthony Negus
Director: Suzanne Chaundy\u00a0
Starring: Lee Abrahmsen, Neal Cooper, Sarah Sweeting, Steven Gallop.<\/span><\/p>\n

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Melbourne Opera brings you one of the oldest mythical love stories, Wagner\u2019s <\/span>Tristan and Isolde <\/span>\u2013 considered by many to be his greatest music, certainly one of the most popular.<\/span><\/p>\n

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Recent productions of Lohengrin<\/em><\/a>, Tannh\u00e4user<\/em><\/a> and Rienzi<\/a> have all received critical and popular acclaim. This new production directed by Suzanne Chaundy presents a unique opportunity to see a masterpiece last seen in Melbourne seventeen years ago \u2013 proudly supported by the Richard Wagner Society of Victoria.<\/span><\/p>\n

With a strong cast headed by English tenor Neal Cooper, joined by soprano Lee Abrahmsen (Lee sang the role of Elizabeth in <\/span>Tannhauser <\/span>in 2016 for our company), you should enjoy an exhilarating evening.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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“The extraordinary form and miasmic, restless shifting and questioning of the music leads the audience into an altered state.” Read more from our director, Suzanne Chaundy<\/a>, on the inspiration and\u00a0philosophy behind this famed classic.<\/p>\n

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Production Sponsor: <\/span>Henkell Brothers Investment Managers<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Press & Reviews<\/h1>\n

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“\u2605\u2605\u2605\u26051\/2”
\u2014 Barney Zwartz, Australian Book Review<\/a>.<\/p>\n<\/blockquote>\n

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“Melbourne Opera punches well above its weight with a Wagnerian epic.” –\u00a0\u2605\u2605\u2605\u2605
\u2014 Tim Byrne, Timeout<\/a>.<\/p>\n<\/blockquote>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.24.2″ _module_preset=”default” background_color=”#C8B89C” bottom_divider_height=”50px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row module_id=”gallery” _builder_version=”4.16″ _module_preset=”default” custom_margin=”|auto|-55px|auto||” custom_padding=”30px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#ffffff” header_font=”|600||||on|||” header_text_align=”center” header_text_color=”#ffffff” header_letter_spacing=”2px” min_height=”56px” custom_margin=”5px||-5px||false|false” custom_padding=”10px||0px|0px|false|false” border_radii=”on|1px|1px|1px|1px” border_width_all=”4px” border_color_all=”#ffffff” border_style_all=”double” global_colors_info=”{}”]<\/p>\n

Gallery<\/h1>\n

[\/et_pb_text][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=nONxyklSzK8″ _builder_version=”4.16″ _module_preset=”default” custom_margin=”22px|||||” global_colors_info=”{}”][\/et_pb_video][et_pb_gallery gallery_ids=”1855,1856,1857,1858,1859,1860,1861″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” background_layout=”dark” min_height=”719px” custom_margin=”50px||7px|||” custom_padding=”||76px|||” border_color_all=”#ffffff” global_colors_info=”{}”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ _module_preset=”default” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row module_id=”cast” _builder_version=”4.16″ _module_preset=”default” min_height=”74px” custom_margin=”23px|auto||auto||” custom_padding=”1px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_text_color=”#ffffff” header_font=”|600||||on|||” header_text_align=”center” header_text_color=”#c8b89c” header_letter_spacing=”1px” min_height=”23px” custom_margin=”1px|||||” custom_padding=”9px||4px|||” border_radii=”on|1px|1px|1px|1px” border_width_all=”4px” border_color_all=”#c8b89c” border_style_all=”double” global_colors_info=”{}”]<\/p>\n

Cast & Crew<\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ make_equal=”on” _builder_version=”4.16″ _module_preset=”default” width=”70%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” custom_margin=”0px||||false|false” global_colors_info=”{}”]<\/p>\n

Isolde<\/strong>\u00a0\u2014 Lee Abrahmsen
<\/span>Tristan<\/strong>\u00a0\u2014 Neal Cooper
Brang\u00e4ne<\/strong> \u2014 Sarah Sweeting
Kurwenal \u2014\u00a0<\/strong>Michael Lampard
Marke<\/strong> \u2014\u00a0Steven Gallop
Melot<\/strong> \u2014\u00a0Jason Wasley
Shepherd \u2014 <\/strong>Michael Dimovski
Steerman \u2014 <\/strong>Stephen Marsh
Sailor \u2014\u00a0<\/strong> Henry Choo<\/p>\n

Chorus:
<\/span>Andrew Alesi,\u00a0James Ash,\u00a0Ian Cook,\u00a0David Cramond,\u00a0Timothy Daly,\u00a0Robin Czuchnowski,\u00a0Andrew Dickinson,\u00a0Michael Dimovski,\u00a0Dick Dowling,\u00a0Finn Gilheany,\u00a0Michael Hammelman,\u00a0Mark Henderson,\u00a0Matthew Lowe,\u00a0Terence MacManus,\u00a0Stephen Marino,\u00a0Bern Nolan,\u00a0Matt Phillips,\u00a0Rolald Seidl,\u00a0Cameron Sibly,\u00a0Elsdon Storey,\u00a0Samuel Thomas-Holland,\u00a0Robert Van Keulen,\u00a0David Woodberry.<\/p>\n

\u00a0<\/span><\/p>\n

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Conductor<\/strong>: Anthony Negus
Director<\/strong>: Suzanne Chaundy
Head of Music & Chorus Master<\/strong>: Raymond Lawrence
Set Design\/Construction<\/strong>: Greg Carroll
Video Designers:\u00a0<\/strong>Yandell Walton, keith Deverell
Costume Designer<\/strong>: Lucy Wilkins
Lighting Designer<\/strong>: Lucy Birkinshaw
Projection Technician:<\/strong> Olaf Meyer
Language Coach:<\/strong> Carmen Jakobi-Negus
Repetiteur:\u00a0<\/strong> Konrad Olszewski
Assistant Director:<\/strong> Miki Oikawa
Stage Manager<\/strong>: Lachlan O’Connor
Assistant Stage Manger<\/strong>: Kirsty Walker
<\/strong>Surtitles:\u00a0<\/strong>Felicity Baldoc, Miki Oikawa
Hair, Make-up & Wigs:<\/strong> Taylor Elliott
Warbrobe Manager:\u00a0<\/strong>Rhiannon Irving
Company Manager<\/strong>: Robbie McPhee
Producer<\/strong>: Greg Hocking AM<\/p>\n

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Melbourne Opera gratefully acknowledges the generous support of our sponsors.<\/p>\n

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Renowned Wagnerian Maestro Anthony Negus makes his Australian debut conducting Melbourne Opera’s production of this classic opera.Production DetailsDates:2, 5, 7, 10th February, 2018.Venues: Palais Theatre, St Kilda, Melbourne.Robert Blackwood Hall, Monash UniversityRunning Time:4hr 30m, with two twenty minute intervals.Composer: Richard Wagner Conductor: Anthony Negus Director: Suzanne Chaundy\u00a0 Starring: Lee Abrahmsen, Neal Cooper, Sarah Sweeting, Steven […]<\/p>\n","protected":false},"author":7,"featured_media":1272,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_wds_title":"","_wds_metadesc":"","_wds_focus-keywords":"","_wds_meta-robots-adv":"","_wds_meta-robots-noindex":false,"_wds_meta-robots-nofollow":false,"_wds_meta-robots-index":false,"_wds_meta-robots-follow":false,"_wds_autolinks-exclude":false,"_wds_canonical":"","_wds_redirect":"","_wds_opengraph":[],"_wds_twitter":[],"wds_primary_project_category":0,"footnotes":""},"project_category":[62,29],"project_tag":[],"class_list":["post-1847","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-2010-to-2020","project_category-past-production"],"_links":{"self":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project\/1847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project"}],"about":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1847"}],"version-history":[{"count":1,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project\/1847\/revisions"}],"predecessor-version":[{"id":8854,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project\/1847\/revisions\/8854"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/media\/1272"}],"wp:attachment":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1847"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_category&post=1847"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_tag&post=1847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}