{"id":1927,"date":"2016-02-03T12:00:03","date_gmt":"2016-02-03T01:00:03","guid":{"rendered":"https:\/\/melbourneopera.com\/?post_type=project&p=1927"},"modified":"2026-05-21T18:59:56","modified_gmt":"2026-05-21T08:59:56","slug":"the-abduction-from-the-seraglio-2016","status":"publish","type":"project","link":"https:\/\/melbourneopera.com\/?project=the-abduction-from-the-seraglio-2016","title":{"rendered":"The Abduction from the Seraglio (2016)"},"content":{"rendered":"

[et_pb_section fb_built=”1″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” background_image=”https:\/\/melbourneopera.com\/wp-content\/uploads\/2020\/10\/melbourne-operas-tristan-isolde-e28093-neal-cooper-lee-abrahmsen.jpeg” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_fullwidth_slider show_arrows=”off” show_pagination=”off” use_bg_overlay=”off” use_text_overlay=”off” _builder_version=”4.16″ _module_preset=”default” header_text_color=”#c8b89c” body_text_color=”#c8b89c” background_color=”#c8b89c” background_enable_image=”off” min_height=”542px” custom_margin=”||2px||false|false” custom_padding=”2px||4px||false|false” global_colors_info=”{}”][et_pb_slide heading=”The Abduction from the Seraglio” button_text=”Photo Gallery” button_link=”#gallery” use_bg_overlay=”off” use_text_overlay=”on” arrows_custom_color=”#c8b89c” dot_nav_custom_color=”#c8b89c” _builder_version=”4.16″ _module_preset=”default” header_level=”h1″ header_font=”|800||||on|||” header_text_align=”center” header_text_color=”#c8b89c” header_letter_spacing=”4px” header_line_height=”1.2em” body_font=”|600|||||||” body_text_align=”center” body_text_color=”#ffffff” body_font_size=”20px” body_line_height=”1.8em” background_enable_color=”off” background_image=”https:\/\/melbourneopera.com\/wp-content\/uploads\/2016\/02\/327C8574-scaled.jpg” background_enable_image=”on” parallax=”on” parallax_method=”off” custom_button=”on” button_text_color=”#ffffff” button_bg_color=”#c8b89c” button_border_color=”#ffffff” button_icon=”9||divi||400″ button_icon_color=”#ffffff” button_on_hover=”on” button_alignment=”center” text_orientation=”center” global_colors_info=”{}” sticky_transition=”on”]<\/p>\n

Presenting Mozart’s brilliant comedy, international rescue at its most entertaining!<\/p>\n

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Production Details<\/h1>\n

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Dates<\/span>:
3, 5, 9th February; 19th March, 2016.
Venues<\/span>:
Athenaeum Theatre, Melbourne.
Robert Blackwood Hall, Monash University
<\/span>Running Time<\/span>:
2hr 30m, with two fifteen minute intervals.<\/p>\n

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Composer: Wolfgang Amadeus Mozart
Conductor: Greg Hocking, Raymond Lawrence
Director: Suzanne Chaundy\u00a0
Starring: Christopher Lincoln Bogg, Lee Abrahmsen, Eddie\u00a0Muliaumaseali\u2019i, Paul Biencourt.<\/span><\/p>\n

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Following her great success with Melbourne Opera’s Cosi fan Tutte, director Suzanne Chaundy has set the opera in the 1970’s, a world of international glamour, intrigue and espionage. The beautiful German model Konstanze (Lee Abrahmsen), along with her assistant Blonde (Hannah Dahlenburg) and boyfriend Pedrillo (Paul Biencourt), has been abducted during a Mediterranean cruise and then “rescued” by the international man of mystery Pasha Selim (Nick Pelomis) and kept captive at his luxury hideout. Konstanze\u2019s’ dashing lover Belmonte…..James Belmonte (Christopher Lincoln Bogg)…..sets out to rescue her. In doing so, and after many entertaining adventures, he eventually thwarts Pasha Selim’s boorish chief of security Osmin (Eddie Muliaumaseali\u2019i). After a surprise revelation, all ends well.<\/p>\n

Not performed professionally in Melbourne for more than 20 years, Melbourne Opera has once again assembled an outstanding international cast to perform some of Mozart’s most beautiful, demanding and entertaining music. Not to be missed! Performed in English, with just a dash of German!<\/p>\n

With the outstanding MO chorus and Orchestra conducted by Greg Hocking.<\/p>\n

Read Suzanne Chaundy’s directorial notes<\/a> for further context, history, and the challenges of bringing this glorious production to life.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Production Sponsor: <\/span>Henkell Brothers Investment Managers.<\/span><\/p>\n

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Press & Reviews<\/h1>\n

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“More than 230 years since its premiere, <\/span>The Abduction from the Seraglio<\/em>\u00a0still dazzles with thrusting, youthful energy.<\/span>“
\u2014 Paul Selar, Herald Sun<\/a>.<\/span><\/p>\n<\/blockquote>\n

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“Presented as a 1970s spy romp, Mozart\u2019s The Abduction from the Seraglio<\/em> is an amusing evening of beautiful music.”
\u2014 Simon Parris, Man in Chair<\/a>.<\/p>\n<\/blockquote>\n

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Gallery<\/h1>\n

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Cast & Crew<\/h1>\n

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Belmonte<\/strong>\u00a0\u2014 Christopher Lincoln Bogg
<\/span>Konstanze<\/strong> \u2014 Lee Abrahmsen\u00a0
Pedrillo \u2014<\/strong> <\/span>Paul Biencourt
Osmin<\/strong>\u2014 Eddie Muliaumaseali\u2019i
Blonde \u2014 <\/strong>Hannah Dahlenburg
Pasha Selim \u2014\u00a0<\/strong>Nick Pelomis
Guards \u2014\u00a0<\/strong>Paul Dernelly, Mark Henderson, Robert Van Keulen, Richard Wilson<\/span><\/p>\n

Chorus<\/strong>:
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James Ash,\u00a0Ariel Chou,Ian Cook,\u00a0Fiona Craig,\u00a0Paul Dernelly,\u00a0Andrew Dickinson,\u00a0Dick Dowling,\u00a0Sue Halls,\u00a0Peter Hanway,\u00a0Mark Henderson,\u00a0Angela Hennel,\u00a0Lavinia Ionescu,\u00a0Robyn-Jane Lacey, Maree Macmillan,\u00a0Bernie Nolan,\u00a0Debra O\u2019Connor Alexandra Oke,\u00a0George Opritescu,\u00a0John Overberg,\u00a0Sue Robertson Roland Seidl,\u00a0Zoe Taylor,\u00a0Norma Tovey,\u00a0Robert Van Keulen,\u00a0Richard Wilson
Cecily Woodberry,\u00a0David Woodberry.<\/p>\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Director: <\/strong>Suzanne Chaundy
Conductors<\/strong>: Greg Hocking.\u00a0Raymond Lawrence
Designer – Set<\/strong>: Andrew Bellchambers
Designer – Costume<\/strong>: Daniel Harvey
Designer – Lighting<\/strong>: Lucy Birkinshaw
Head of Music-Chorus Master<\/strong>: Raymond Lawrence
Stage Manager<\/strong>: Ryan McGaw
Assistant Stage Manager<\/strong>: Kirsty Walker
Assistant Director:<\/strong> Miki Oikawa
Costume Manager: L<\/strong>auren Ritchie
Wigs, Hair, Makeup:<\/strong> Amanda Cummings
Set Construction:\u00a0<\/strong>Greg Carroll
Company Manager:\u00a0<\/strong>Robbie McPhee
Producer<\/strong>: Greg Hocking AM<\/span><\/p>\n

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Melbourne Opera gratefully acknowledges the generous support of our sponsors.<\/p>\n

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Presenting Mozart’s brilliant comedy, international rescue at its most entertaining!Production DetailsDates:3, 5, 9th February; 19th March, 2016.Venues:Athenaeum Theatre, Melbourne.Robert Blackwood Hall, Monash UniversityRunning Time:2hr 30m, with two fifteen minute intervals.Composer: Wolfgang Amadeus Mozart Conductor: Greg Hocking, Raymond Lawrence Director: Suzanne Chaundy\u00a0 Starring: Christopher Lincoln Bogg, Lee Abrahmsen, Eddie\u00a0Muliaumaseali\u2019i, Paul Biencourt. Following her great success with […]<\/p>\n","protected":false},"author":7,"featured_media":1931,"comment_status":"open","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","_wds_title":"","_wds_metadesc":"","_wds_focus-keywords":"","_wds_meta-robots-adv":"","_wds_meta-robots-noindex":false,"_wds_meta-robots-nofollow":false,"_wds_meta-robots-index":false,"_wds_meta-robots-follow":false,"_wds_autolinks-exclude":false,"_wds_canonical":"","_wds_redirect":"","_wds_opengraph":[],"_wds_twitter":[],"wds_primary_project_category":0,"footnotes":""},"project_category":[62,29],"project_tag":[],"class_list":["post-1927","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-2010-to-2020","project_category-past-production"],"_links":{"self":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project\/1927","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project"}],"about":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1927"}],"version-history":[{"count":1,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project\/1927\/revisions"}],"predecessor-version":[{"id":8868,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/project\/1927\/revisions\/8868"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=\/wp\/v2\/media\/1931"}],"wp:attachment":[{"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1927"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_category&post=1927"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/melbourneopera.com\/index.php?rest_route=%2Fwp%2Fv2%2Fproject_tag&post=1927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}