HMS Pinafore
Anna Bolena (Anne Boleyn)
The Abduction from the Seraglio
Mary Stuart (Maria Stuarda)
Der Freischütz
Madame Butterfly
La Traviata
Cosi Fan Tutte
La Boheme
The Merry Widow
The Barber of Seville

Forthcoming productions:
Wagner:Lohengrin August 7-19, 2017
Donizetti:Roberto Devereux November 11-25, 2017
Wagner:Tristan and Isolde Jan 28-Feb 4, 2018

Our 2017 season is dedicated to our late Founding Patron Richard Divall AO OBE

Melbourne Opera prides itself on its commitment to producing high quality, accessible performances for the benefit of audiences and performers. With an ensemble of dedicated performers and administrators, we aim to provide opera of the highest standard to audiences of all ages and backgrounds at affordable prices.

Wagner News of Victoria discusses Lohengrin

Download the latest newsletter of The Richard Wagner Society of Victoria for comprehensive news about upcoming production of Lohengrin.

HMS Pinafore review - 3MBS

Reviewed by Peter Green

3MBS. Aired on Saturday March 18

Following on from Melbourne Opera’s great success in staging Wagner’s Tannhauser across the road at the splendid Regent (later this year the venue for the much anticipated Lohengrin)

They have done it again with a very, very funny but un-mucked-about production of HMS Pinafore bubbling with fun, pace and beauty.

HMS Pinafore review - The Age

Robert Ray's bright and busy, traditional production of Gilbert & Sullivan's HMS Pinafore is certainly shipshape. Ray is also a choreographer, and hornpipes and funny footwork abound, with dancing, prancing sailors and agile sisters, cousins and aunts all over the deck. Scarcely a moment goes by without someone striking an attitude or taking a twirl.

Amid opening night's hustle and bustle were some fine performances, especially Claire Lyon's lissome and lively Josephine, David Rogers-Smith's not-too-overboard Captain Corcoran, and David Gould's splendid Sir Joseph Porter.

HMS Pinafore review - Classic Melbourne

The first work in Melbourne Opera’s 2017 season is a rollicking production of Gilbert & Sullivan’s HMS Pinafore. This is a comic opera written in 1878 which has since set the standard for the many forms of music theatre that have followed it. From the opening ensemble piece “We Sail the Ocean Blue” sung by a jaunty chorus of sailors, the audience were set for a most enjoyable performance.

HMS Pinafore review -Stage Whispers

Melbourne Opera stepped out of their comfort zone in presenting a G&S operetta. However, they employed one of the most experienced G&S directors and a number of music theatre professionals to make for an enjoyable production.

Robert Ray’s approach was traditional, but with some neat twists. He included a recently discovered duet for the Captain and Josephine, “Reflect My Child”, though it didn’t seem as musically inspired as the rest of the score.

HMS Pinafore review - Theatre People

It’s a delight to see a classic back on stage, and you don’t get anything more classical as a Gilbert & Sullivan production. Melbourne Opera starts its 2017 season with H.M.S. Pinafore.

What a performance it was, the complete production is a delight to the senses. The audience was captivated from the opening scene to the finale, it was extremely well received.

HMS Pinafore review - Herald-Sun

MELBOURNE Opera have the heavily dramatic works of Wagner’s Lohengrin and Donizetti’s Roberto Devereux to come but a completely satisfying belly-laugh start to their season docked into the Athenaeum Theatre this week in the form of HMS Pinafore.

Occasional helpings of Gilbert and Sullivan’s unique brand of contagious merriment would rarely go unappreciated by its audience. Permission to cringe is always granted, as is admitting how much you really do fancy a tune or two.

HMS Pinafore review - ConcertoNet

Like any G&S worthy of the name, this is an entertainment full of toe-tapping tunes, based on a plot of total silliness. It also has the requisite bitingly sharp social commentary and more than a few opportunities to include local references, political quips and jibes at the “Establishment”. From class distinction to social climbing; from “baby farming” to promotions of talentless politicians “up the ladder”, W. S. Gilbert took aim at many targets of nineteenth century London which still ring very true today. 

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